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AUDITIONS

​TRACK B

Roles: Ni Knight Leader | Concorde | Herbert's Father

 

NI KNIGHT LEADER

Role Function: Theatrical leader of a strange cult, eccentric and threatening with camp menace

Scenes / Moments: Act 2 Scene 2, Act 2 Scene 5

Energy / Comedy Style:  Moves very little beyond his head, his intensity comes from his stillness and his eyes.     

Voice / Movement: Eccentric, high-pitched, flamboyant.

Key Tasks / Notes: To play what is obviously a very silly role with absolute menace and intensity, dripping with British civility and manners.

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CONCORDE

Role Function: Lancelot’s Patsy, his loyal sidekick and grammar corrector.

Scenes / Moments: Act 2, Scene 6, Act 2, Scene 8

Energy / Comedy Style:  Sincere and earnest, determined, ferociously loyal, but also a patient educator.             

Voice / Movement: Noble, refined, almost fanciful.

Key Tasks / Notes: To highlight Lance’s lack of intelligence, even while dying. The comedy lies in that contradiction that he’s so dedicated to his liege that he’s actually helping him even while bleeding out.

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HERBERT'S FATHER

Role Function: Emblematic of a problematic patriarchal societal role, he’s a disapproving father.

Scenes / Moments: Act 2, Scene 8, Act 2, Scene 11

Energy / Comedy Style:  Stoic, staunch, aggressive, outraged.       

Voice / Movement: Large and deliberate steps with a loud and aggressively manly voice. Northern English.

Key Tasks / Notes: A sharp contrast to Herbert, his disapproval manifests in short outbursts particularly when someone sings.

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AUDITION TIPS: In many ways he’s able to borrow a lot from movie villains and psychopathic killers. Try to emulate that with his eyes and mouth while employing that very silly voice. Really ham it up

 

Think Angry Hagrid. He’s a loud, broad-shouldered and rather pig-headed man, Controlled and articulated expressions of that anger will be better than broad sweeping gestures. It’s very easy to go too hammy here.      

      

AUDITION SCENES

Herbert’s Father: Act 2, Scene 8, pp. 78–79

Ni Knight Leader: Act 2, Scene 2, pp. 54–56          

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AUDITION SONGS

No. 13 – Knights of the Round Table (Bars 1–36)

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